As we have seen, George William Warren resigned as organist and choirmaster of St. Peter’s Church in October 1848. We know that he was to spend most of the period until August 1860 at St. Paul’s Church, Albany. But when did Warren first come to St. Paul’s Church?
Warren’s obituary in the New York Times (17 Mar 1902) specifically says that he came to St. Paul’s in 1848. And Warren himself implies that year as well in an 1856 classified advertisement (Albany Evening Journal 7 Apr 1856); in which he identifies himself as “Organist and Musical Director at St. Paul’s Church (for eight years).” Articles in Dwight’s Journal (15 Nov 1856) and Albany Morning Express (30 May 1857) confirm that as of October 1856 Warren had been at St. Paul’s for eight years.
Additionally, Warren twice wrote that when he left Albany in 1860 he had been at St. Paul’s since 1848: “nearly thirteen years” according to his letter of resignation to the St. Paul’s vestry (“nearly” because of his ten months at Second Presbyterian), and precisely “thirteen years” (writing as “Jem Bags” in Dwight’s Journal 1 Dec 1860).
St. Paul’s vestry minutes are silent on musical activities in this period, and we may never know the precise date or month in which he started. The first evidence comes almost a year later, when we read that “George W. Warren Organist of St. Paul’s Church” is offering piano and organ lessons (Albany Evening Journal, four insertions in mid-August 1849). Warren also advertised his music lessons the next year, describing himself as “Organist and Director of Music of St. Paul’s Church.” (Albany Evening Journal, 2 Sep 1850)
George William Warren must have begun composing early in the period. We have two compositions specifically mentioning performance at St. Paul’s. The first is “Rock of Ages,” which Warren (in his Hymns and Tunes as Sung at St. Thomas’s Church, New York (New York: Harper & Brothers, 1889) dates to 1849. It was first published in 1851, dedicated to St. Paul’s rector, William Ingraham Kip, and with the notation “as sung in St. Paul’s Church Albany by Mrs. Eastcott, Mrs. Gourley, Mr. Squires and Mr. Whitney in 1850.”
We also have Warren’s composition “Come Holy Spirit,” first published in 1850 with the notation “as sung by the choir of St. Paul’s Church (Albany)”.
And finally, we have Warren’s “Love’s Twilight Star,” published in 1849. While this is a secular work, it is dedicated to the popular Albany soprano Miss Electa Cone, who received payment (probably as soprano soloist) from St. Paul’s in 1850.
In addition to proving that Warren was at St. Paul’s in 1849, “Rock of Ages” is important for giving us the first list of the St. Paul’s choir. At this time, and into the early twentieth century, St. Paul’s had a quartet choir, composed of four paid soloists. Most of Warren’s early compositions were written for such a group. The names of the choir members are also of interest. Mrs. Gourlay and Mr. Whitney were local talent. Margaret Campbell Gourlay was an Albany voice teacher, a member of St. Peter’s Church and a member of St. Peter’s choir with Warren in 1847. We will meet her talented son Willie as member of the boy choir that Warren formed in 1855. Stephen W. Whitney was a local businessman with a long career as a church and concert soloist. The stars were Lucy Grant Eastcott and Henry Squires. Both were recent arrivals in Albany (in 1850, the Albany Evening Journal praised St. Paul’s hiring of Lucy as a sign of “stirring up of the dry bones” ), and both were to leave the city within two years. They went on to distinguished opera careers in the United States, Europe and Australia, about which we will have much to say in a future post.
In April and May 1852, George William Warren advertised in the Albany Evening Journal for “a soprano and tenor, to fill vacancies in the choir of St. Paul’s Church.” Lucy Eastcott (who would soon begin styling herself Madame Escott) had already left the city; Henry Squires would leave by that October, bringing this first chapter of Warren’s years at St. Paul’s Church to a close. We will pick up the story in a later post, beginning with the events of autumn 1852 and continuing through 1856.